![]() I am glad Varda has done many better films to be remembered by. Mostly of waste of time for all involved. The two of them were hardcore about songwriting: they bought a cottage on the island of Viggs where they could focus on making their music and lyrics as catchy. It is light and inoffensive, but so silly at time that one is bewildered: all that time and money for this self absorbed nonsense? An homage to cinema? Naw. 100 days, 100 nights To know a man's heart 100 days, 100 nights To know a man's heart And a little more Before he knows his own You know a man Can play the part Of a saint Just so long For a day comes When his true, His true self unfolds Yes it does He maybe mellow He maybe kind Treat you good All the time But there's something just beyond wh. ![]() It is a nice collection of cinematic quotations, visual or oral, and a nutty collection of famous faces that were asked to show up probably only to increase the chances of this dud to interest any audience. Varda is lucky: she has the clout and longevity in cinema that allows her to call on all these big names and get an answer (heaven, even Robert de Niro and Harrison Ford showed up for their cameos!) but there is no plot, or a sophomoric one, and hardly any thread to get moved by. To be blunt, the film is only a pretext to get very famous names on the screen for 5 seconds or 5 minutes on a flimsy pretense of a script. 100 Days, 100 Nights lyrics: 100 days, 100 nights To know a mans heart 100 days, 100 nights To know a mans heart And a little more Before he knows his own. ![]() Thats crashing upon your face Yeah, I know that one day, one day. But this film is one silly lemon that does not fit into to Varda's usually creative body of work. I smile all day and cry through the night Wont someone please save my. I love Agnes varda, her whimsy, her pluck, her imagination.
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